How much color does one need to feel its vibrations? Is a thin line enough to communicate the emotion, to drive the subconscious recall in the mind of a viewer? The Color series experiments with perception. It challenges viewer's feelings and plays on subtle di erences between color and non-color, even if the last one is not more than illusion. The artist questions herself on the possibilities of textures, she experiments with gaps and large inked spaces - so that the simple would become complicated, the color would both hide and declare itself, and the mind would constantly seek for something from behind.